I also take issue with the use of one of the villains in Boyfriend Dungeon and how it is approached. Likewise, Olivia can feel like an “all purpose person” called in when a route needs a friend/potential love interest/enemy. You go for about half of the game with a permanently pinned message from him with no updates until a certain point. Then, with your cousin’s “mission” complete, it feels like you’re ghosted. Jesse is an active presence in your life, until it seems like a certain point. So you’ll constantly get texts from these people (or the cat’s owner), get chances to make and give gifts to them, and visit locations for visual novel-style dates/hangouts.īut as great as the writing is for the routes, there are times when Boyfriend Dungeon feels like it does something of a disservice to its NPCs. And if romance is for you, you can choose to be friends with people and every weapon-person (and cat) will respect that. (And unlike the Persona series, people won’t get mad at you for it.) Which means you can complete everything the first go around. You can complete everyone’s storyline in a single run. Even the one I didn’t initially like, Sunder, grew on me to the point that I put him in the friendzone, then dragged him out of it because his route is so fascinating. Every character you can pursue has a fantastic storyline. Which means the strongest parts are, well, the “boyfriend” part of Boyfriend Dungeon. Eventually, you will hit a wall where you are dealing 0-1 points of damage and need to be knocked out to “level up” so you can progress further the next time. And it is a bit frustrating that you don’t actively get stronger as you dungeon-crawl. Sunder and Mandy’s La Rosa club is better about enemy diversity, but you’ll see the same sorts of foes–perhaps with different color palettes and more health–in both it and the Mall. The use of secret shops come up and I found myself wanting more of an explanation for them. While the dungeons are great fun, there isn’t much variety to their enemies.
And each weapon-person is a different sort of weapon, with their own skill-tree, which means you can probably find one who works well for you. You can switch your partner before heading to the next floor too, to keep everyone at an even pace and level. Hangout spaces in dungeons boost relationship values, and so does using someone on a floor. Most of your new weapon friends show up in the dungeon, though you will meet one in the tutorial and another via a different method. Or reach an elevator, which tends to come up every few floors and on the same floor as a miniboss or boss. But essentially you go in, beat things up with your weapon-ally, and do so until you die. You can turn on a shield in the options, to halve damage and make runs much easier. I like to think of the roguelike elements in Boyfriend Dungeon as incredibly forgiving ones. (The Kickstarter also resulted in an additional man and woman being funded, but neither are in the game yet.) At launch, you can fight alongside three men, one woman, two non-binary partners, and a cat. And as you wield them, you’ll also form friendships and romantic relationships with them. Your goal is to meet people, learn to dive into and survive dungeons, and become a Wielder for people who happen to be able to turn into weapons. Jesse just moved in with his partner Samantha, so his old apartment is open for the entire period for you to use. To help broaden your horizons, you, your mom, and your cousin Jesse decided you’d visit Verona Beach for the summer. While there are certain things about Boyfriend Dungeon that left me annoyed or frustrated, I also couldn’t get enough of playing it.īoyfriend Dungeon begins with you as an inexperienced person who hasn’t really formed any close ties with anyone. If it can also leave me wanting to discuss its primary characters with anyone else I know who’s also played it and marathon-play it until I beat it, those are added bonuses. One of the things that I believe is the mark of a fascinating game is the ability to inspire strong feelings about it.
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